1-54 LONDON 2022: GROUP PRESENTATION

13 - 30 October 2022
  • GROUP PRESENTATION

    ADEGBOYEGA ADESINA | DAVID OLATOYE | ODINAKACHI OKOROAFOR

    Kanbi Projects is pleased to announce its participation at the 10th edition of the flagship 1-54 London art fair. The gallery bring together works by 3 artists on the continent - Adegboyega Adesina, David Olatoye and Odinakachi Okoroafor.

     

    As a group, central to their practice is portraiture and the notion of the contemporary African identity. Through their works presented at the fair, the group of artists interrogates the narratives of Black life with specificity to being Black and African. The works are deeply invested in the group of artists' own intersecting identities: young, African, influenced by a globalised western pop- culture and social-media driven consumerism contemporary society. Though they work across different mediums with distinctive visual styles, tones and textures, their practices reflect the immense variation in the field of Black African experience. The works presented at the fair examines the complexities of the African identity while acknowledging the fragmentation, multiplicity and nuances in collective African experience and that  the complexities of the African identity cannot be encapsulated in a singular view of Black portraiture.

     

    The works of these three artists seek to negotiate the meaning of Black portraiture situated with an African context, going beyond the generalization of simply portraying Black individuals to understanding the diversity and specificity of the plenitude and multivalent of expressions of practices in Black portraiture.

     

    Kanbi Projects will be presenting at Booth S12, located in the South wing of the fair at Somerset House, Strand, London, WC2R 1LA.

  • ADESINA ADEGBOYEGA, B. 1998 | Lives and works in Lagos, Nigeria

    ADESINA ADEGBOYEGA

    B. 1998 | Lives and works in Lagos, Nigeria

    Adegboyega Adesina creates intimate portraits of Black subjects with rich colour palettes and a dynamic sense of personality. The works present a complex but highly personal investigation of the African identity through the lens of the artist"s own personal history, as well as the people, cultures, traditions, and political views shaping his country. He describes the figures in his work set against a background of flowers as form of re-imaging the African society amidst all negativities. It is a documentation of an ongoing evolutionary change in the African society championed by the contemporary Africans.

    • ADEGBOYEGA ADESINA, Boy with a horse, 2022
      ADEGBOYEGA ADESINA, Boy with a horse, 2022
    • ADEGBOYEGA ADESINA, Masiri and the weaver birds, 2022
      ADEGBOYEGA ADESINA, Masiri and the weaver birds, 2022
  • Olatoye's compositions are staged in contemporary interior spaces to create an idyllic Black interiority. Olatoye's signature ballpoint pen renderings of...

    DAVID OLATOYE

    B. 1995

    Lives and works in Ibadan, Nigeria

    Olatoye's compositions are staged in contemporary interior spaces to create an idyllic Black interiority. Olatoye"s signature ballpoint pen renderings of his subject"s interwoven flesh and visage call attention to his delicate, meditative approach to texture and the ethereal. Together, these features, he says,” are used to project a future, a space of self-expression and manifestation, a dream.

    • DAVID OLATOYE, Dreamers’ reality, 2022
      DAVID OLATOYE, Dreamers’ reality, 2022
    • DAVID OLATOYE, Dreamers’ wish, 2022
      DAVID OLATOYE, Dreamers’ wish, 2022
    • DAVID OLATOYE, Dreams come true, 2022
      DAVID OLATOYE, Dreams come true, 2022
  • Using imagery from his childhood and community as point of departure, Okoroafor examines the Black figure through the lenses of...

    ODINAKACHI OKOROAFOR

    B. 1989

    Lives and works in Enugu, Nigeria

    Using imagery from his childhood and community as point of departure, Okoroafor examines the Black figure through the lenses of daily life and social and political struggle. Barcode lines feature prominently in his compositions, appearing as clusters that comprise the figures of his painting"s featured subjects. Akin to scars physical and symbolic, these automated lines confront complex histories of the body as a commodity, both historically and in present-day contexts.

    • ODINAKACHI OKOROAFOR, The comforter, 2022
      ODINAKACHI OKOROAFOR, The comforter, 2022
    • ODINAKACHI OKOROAFOR, The comforter II, 2022
      ODINAKACHI OKOROAFOR, The comforter II, 2022
    • ODINAKACHI OKOROAFOR, The comforter III, 2022
      ODINAKACHI OKOROAFOR, The comforter III, 2022